If you’re hoping to grab tickets for this year’s Outside Lands, now’s your chance.

A limited number of presale tickets go live this week, giving fans an early shot at discounted passes before the official lineup is even announced.

The festival, set for August 8-10 in San Francisco’s Golden Gate Park, is offering its popular Eager Beaver presale starting at 10 a.m. on Wednesday, March 5, exclusively on the festival’s website.

Last year, these discounted tickets sold out almost instantly, so you’ll want to act fast. Eager Beaver pass holders also get first dibs on tickets for the festival’s Night Shows, which take place at venues across the city.

General admission wristbands range from $485.05 to $1,045.55, while the ultra-luxurious Golden Gate Club tickets will set you back $5,095.55.

This year’s festival will also bring back its unique City Hall wedding venue, nestled among the eucalyptus trees in McLaren Pass.

Couples can tie the knot in intimate ceremonies throughout the weekend, with wedding packages starting at $570. A portion of the proceeds will benefit Lambda Legal, an LGBTQ+ civil rights organization.

Foodies won’t be disappointed either. The Golden Gate Club will feature gourmet offerings curated by culinary stars like Top Chef alum Melissa King, Tyler Florence of Miller & Lux, and Dana Younkin and Nancy Oakes of Boulevard.

Last year’s festival drew around 220,000 attendees and featured over 90 artists, including big names like Post Malone, the Killers, and Chappell Roan.

While this year’s lineup is still under wraps, it’s sure to be worth the wait.

So mark your calendars, set your alarms, and get ready to secure your spot at one of the Bay Area’s most iconic festivals.

Outside Lands 2025 is shaping up to be another unforgettable weekend of music, food, and good vibes.

The post Presale Tickets are out for “OUTSIDE LANDS 2025”. first appeared on Hollywood All.

The veteran actress, nominated for her riveting performance in The Substance, was visibly disappointed when the award went to Mikey Madison, the 25-year-old star of Anora.

Moore’s reaction, captured on camera and analyzed by lip readers, revealed a mix of emotions that spoke volumes without the need for words.

According to Nicola Hickling, a professional lip reader who spoke with the Daily Mail, Moore uttered a single word— “nice”—after Madison’s name was announced. However, her demeanor suggested anything but enthusiasm.

“Demi says ‘nice,’ but she isn’t smiling when she says it,” Hickling observed. “Her body language is almost mechanical, as if she had to force herself to acknowledge the moment. She nods slightly, but her jaw tenses, betraying her true feelings.”

The moment, which quickly went viral after a video was shared on X (formerly Twitter), showed Moore, 62, sitting stiffly in her seat, her expression a blend of resignation and quiet disappointment.

The loss was particularly poignant given the intense competition in the Best Actress category.

Moore was nominated alongside Fernanda Torres for I’m Still Here, Karla Sofía Gascón for Emilia Pérez, and Cynthia Erivo for Wicked. Each performance had been hailed as a tour de force, making the category one of the most closely watched of the night.

Madison, who seemed to be in a state of disbelief, took to the stage to accept her Oscar. Clutching the statuette, she addressed the audience with a mix of awe and gratitude.

“This is very surreal,” she began. “I grew up in Los Angeles, but Hollywood always felt so far away from me. To be here, standing in this room today, is truly incredible.” She went on to thank the film’s production team and director, Sean Baker, before dedicating a portion of her speech to the sex worker community, whose stories are central to Anora.

“I want to recognize and honor the sex worker community,” Madison said. “Yes, I will continue to support and be an ally. Meeting the incredible people, especially the women, from that community has been one of the most meaningful aspects of this journey.”

She also paid tribute to her fellow nominees, describing their work as “thoughtful, intelligent, beautiful, and breathtaking,” and expressed her honor at being recognized alongside them. “This is a dream come true,” she added with a laugh. “I’m probably going to wake up tomorrow and wonder if this really happened.”

Anora, a poignant and provocative film about a sex worker who marries the son of a Russian oligarch, was the night’s big winner, taking home the award for Best Picture. It triumphed over a formidable lineup of contenders, including The Brutalist, Wicked, Conclave, A Complete Unknown, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, and The Substance.

Meanwhile, The Substance secured an Oscar for Best Makeup and Hairstyling, a testament to the film’s technical brilliance.

For Moore, the Oscars loss came after a triumphant awards season. Earlier this year, she won her first Golden Globe for Best Actress for her role in The Substance, as well as a Critics Choice Award and a Satellite Award.

Her performance, widely praised for its depth and intensity, had positioned her as a frontrunner in the Best Actress race. While the Oscars outcome may have been disappointing, Moore’s legacy as a trailblazing actress remains firmly intact.

As the night unfolded, the contrast between Moore’s subdued reaction and Madison’s exuberant acceptance speech highlighted the emotional highs and lows of awards season.

For Madison, the win marked the beginning of a new chapter in her career, while for Moore, it served as a reminder of the unpredictable nature of Hollywood’s most prestigious accolades.

Both actresses, in their own ways, left an indelible mark on the 2025 Oscars, ensuring that the evening would be remembered for its moments of triumph, humility, and raw emotion.

The post Demi Moore’s Subtle Reaction to Oscar’s Loss Sparks Conversation as Mikey Madison Takes Best Actress first appeared on Hollywood All.

Comedian Chelsea Handler has once again shared her thoughts on the ongoing legal dispute between actors Blake Lively and Justin Baldoni, likening their public clash to a childish playground squabble. During a recent interview, the 49-year-old humorist didn’t hold back in her critique of the escalating conflict between the It Ends With Us co-stars.

“The reason this situation has turned into such a frenzy is that they keep releasing more and more information,” Handler remarked, referring to the 37-year-old Lively and 41-year-old Baldoni. “They need to stop.

At this point, they’re only making things worse for themselves.” She went on to compare the situation to breaking up a fight among children, quipping, “It’s like watching a schoolyard brawl. Doesn’t anyone know when to stop? Isn’t someone stepping in to say, ‘Enough is enough’?”

Handler, whose seventh book, ‘I’ll Have What She’s Having’, was released on February 25, had previously joked about the legal drama while hosting the Critics Choice Awards on February 7.

During her monologue, she humorously acknowledged the pair’s feud, stating, “In tough times, we all need a distraction, and that’s why I want to personally thank Justin Baldoni and Blake Lively.” She added, “I think we’re all grateful—and I think we’re good. No matter whose side you’re on, we can all agree that there probably won’t be a sequel to this mess.”

The legal battle between Lively and Baldoni began in December when Lively filed a lawsuit against Baldoni, her co-star and director in IT ENDS WITH US, as well as his PR team and members of his production company, Wayfarer Studios.

The lawsuit included allegations of sexual harassment and retaliation. Baldoni, who has vehemently denied the claims, retaliated with his own lawsuit in January. His legal action targeted Lively, her husband Ryan Reynolds, their publicist, and The New York Times, accusing them of defamation and extortion, among other charges.

As the legal drama continues to unfold, Handler’s comments highlight the public’s fascination with the high-profile feud. Her humorous yet pointed observations underscore the absurdity of the situation, as both parties remain embroiled in a contentious and very public battle. Whether the conflict will reach a resolution anytime soon remains to be seen, but one thing is clear: it has certainly captured the attention of both the media and the public.

Blake Lively and Justin Baldoni, co-stars of It Ends With Us, are embroiled in a bitter legal battle, with a trial set for March 2026 after mediation efforts failed. Lively initially sued Baldoni, alleging sexual harassment and retaliation, which his legal team called “false, outrageous, and salacious.” Baldoni countersued, accusing Lively, her husband Ryan Reynolds, and others of defamation and extortion—claims Lively’s team dismissed as “desperate” and “meritless.” During a recent pre-trial conference, a judge warned both sides against airing their dispute in the media. The high-profile feud continues to escalate, drawing widespread public and media attention.

The post Chelsea Handler Weighs In on Blake Lively and Justin Baldoni’s Legal Feud first appeared on Hollywood All.

In a fiery rebuttal to the Atlanta Police Department (APD), attorneys for Grammy Award-winning rapper Lil Baby have vehemently denied any connection between the artist and last year’s tragic, gang-related murders of two teenage boys.

The legal team has dismissed the allegations as “complete and total nonsense,” asserting that the rapper had no involvement in the heinous crimes.

The controversy erupted during a recent press conference, where APD officials announced the arrest of seven alleged gang members tied to the fatal shootings, which also left a third individual wounded.

While addressing the media, APD Homicide Commander Ralph Woolfolk took an unexpected swipe at Lil Baby, claiming the rapper was filming a music video in the same area where the violence occurred.

Woolfolk described Lil Baby’s presence as a “cowardly act” and vowed to hold him accountable, insinuating a connection between the artist and the criminal activity.

Lil Baby’s legal team wasted no time in refuting these claims, issuing a scathing statement that condemned the APD’s accusations as “unprofessional, unethical, and shameful.”

The attorneys emphasized that the rapper had “absolutely no involvement” in the shootings and criticized the department for attempting to tarnish his reputation.

“To suggest that Lil Baby couldn’t shoot a music video in his hometown—a place he loves and has consistently uplifted—is nothing short of disgraceful,” the statement read. The legal team further clarified that the location for a major music video shoot is a decision made by a professional production team, not by any single individual, including the artist.

The attorneys also highlighted Lil Baby’s deep emotional ties to the Atlanta community, noting that he is “devastated” by the violence that claimed the lives of the two teens.

The rapper and the victims reportedly grew up in the same neighborhood, adding a layer of personal grief to the tragedy.

The legal team’s response has sparked a broader conversation about the APD’s handling of the case, with many questioning the department’s decision to publicly target a high-profile artist without concrete evidence. As the controversy unfolds, Lil Baby’s camp remains steadfast in their defense, demanding accountability from the authorities for what they describe as a reckless and unfounded attack on the rapper’s character.

The case has drawn significant attention, not only for its tragic nature but also for the implications it carries regarding the intersection of celebrity, community, and law enforcement.

As the legal battle continues, the public awaits further developments in this high-stakes drama.

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The post Atlanta Police Under Fire as Lil Baby’s Lawyers Refute Baseless Murder Accusations” first appeared on Hollywood All.